Skip to content
ChicagoTalks ChicagoTalks

Journalism and creative work from Chicago's next generation of storytellers

  • About us
  • Opinion
  • Feature
  • Arts and Culture
  • Submit Your Story
  • Wanderer
ChicagoTalks
ChicagoTalks

Journalism and creative work from Chicago's next generation of storytellers

Review – “No Exit” at Chicago Opera Vanguard Limited Engagement

Chicago Talks, October 17, 2009

There are only two more performances of the unique gem of music theater. The venue is cool, and we parked on the street for $1.25. The musicians and singers and all of the other people involved are talented and sure of what they are doing. Don’t miss this “guerilla opera.”

NO EXIT is a contemporary chamber opera version of Jean Paul Sartre‘s politically charged play, written during the Nazi Occupation of Paris, and first performed in 1944.  Andy Vores composed the music, which would have been interesting by itself. It is directed by George Cederquist [Yale, Northwestern, Metropolitan Opera, Chicago Opera Theatre], and features soprano Susan Nelson as “Estelle,” mezzo-soprano Caitlin McKechney as “Inez,” tenor Herb Lenz as “Garcin” and baritone Peter Weathers as “Valet.”

"Hell is other people"
"Hell is other people"

The orchestra is conducted by Emanuele Andrizzi who remains out of view of the audience, but in control of the musicians and singers. The singers were able actors, which isn’t always true in opera. The orchestra has four instrumental voices that alternately clash, emphasize and amplify the singers’ voices. The musicians played with precision and suspense. The music stays on the interesting side of distressing, but what do you expect from an opera set in Hell? At 80 minutes, the piece was perfect. The claustrophic setting (a room in Hell,) the limited range of tones played by the orchestra, the fitful and pitiful words of the characters who sing in English, build up a tension to the point of no return. The dramatist stays true to Sartre’s original writing which always has some humor amidst the angst.

The themes of the play aren’t as shocking as they were when it made its debut, but the work holds together well in this operatic version. The price is a terrific value with the  opportunity to enjoy this much talent in one short stretch. Whether you like music, enjoy theater, appreciate operatic singing, or have never dreamed of going to an opera, this is theater with music for the rest of us. Treat yourself to this extraordinary show, it’s a good entertainment lead up to Halloween.

  • General Admission is $25; $10 student/senior discount tickets available for the Friday and Sunday performances. Tickets are available online at www.chicagovanguard.org.
  • Performances are:
    • 8 p.m. Saturday, October 17
    • 3 p.m. Sunday, October 18
  • The opera will be performed at the Center on Halsted’s Hoover-Leppen Theatre, 3656 N Halsted St. a totally wonderful venue.
  • Running time is approximately 80 minutes with one intermission.

See all the details about the performance at Noexitchicago.com or here.

The  design team includes video projections by Cat Forster, sets and costumes by Izumi Inaba [University of Buffalo, Northwestern] and lighting by Samantha Szigeti [Northwestern].

The  Guerilla Opera ensemble in residence at The Boston Conservatory commissioned NO EXIT. It is the season kickoff for the Chicago Opera Vanguard, in partnership with Center on Halsted and Praxis Productions.

Related articles by Zemanta
  • New Opera Goes to Hell to Entertain with Sartre Play (chicagotalks.org)
Reblog this post [with Zemanta]
Uncategorized Boston ConservatoryMetropolitan OperaMezzo-sopranoMusicoperaReviewsSinger

Post navigation

Previous post
Next post

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Opinion

  • Chicago’s influential music scene doesn’t get the respect it deserves 
    by Zoey Hill-Hernandez
  • Lost in translation: ‘I would see everyone else writing while I just stared blankly at my paper’
    by Cynthia Alaniz
  • ‘It felt like something was gnawing at my heart’; Columbia student copes with illness of a lifetime
    by Morgan Bruner
Read More

Arts and Culture

  • 23 years later, Mazzy Star’s masterpiece album still casts a spell
    by Triniti Waxman
  • Queer Chicago designer finds niche dressing drag performers
    by Seng Xiong
  • From dorm room to mainstage, Phat Dragon built a comedy cult following 
    by Ava Simone Forster
  • Great Ideas of Humanity exhibit showcases famous quotes made visual 
    by Sh'Mara Chism
Read More

Feature

  • Hairstylist helps clients embrace their own beauty, rather than copy someone else’s 
  • Care for Real food pantry serves North Siders as need grows 
  • Cuddle Bunny: Where visitors can chill out with a furry friend 
Read More

Submit Your Story
  • Home
  • About us
  • Privacy Policy
  • Submit Your Story
Log in
©2026 ChicagoTalks | WordPress Theme by SuperbThemes